8 Questions with Kim Dacres
The influence and inspiration for the artist's work is a result of a life lived within observation, illustrated in the below Q&A
Kim Dacres focuses on the multifaceted tensions inherent within Black women’s self-presentation, and the reception of that presentation, in our contemporary social environment. Her work highlights the sculptural role that hairstyles and adornments play in the daily gendered lives of Black women, girls and queer people. Dacres underscores the power of such styles to assert the validity of one’s lived, but at times concealed, life experiences. Dacres uses rubber from recycled tires to create sculptures celebrating these influential forces in her life. Her works are acts of sculptural translation, embodying the assertive energy and presence of people, particularly the Black women, that shape her identity-based and geographic communities - women the artist may personally know or encounter, as well as fictional characters, performers, athletes and musicians that have forced her experience.
While drawing initially to the rubber tire material for its uniquely accessible, forgiving and malleable nature, the artist further minds the material’s metaphorical resonances with her own personal experience and the broader cycle of injustice and oppression inflicted upon Black and Brown people in America; all in spite of the contributions these very same individuals give as teachable moments to move the world forward. Through the alchemical transformation of objects into art, Dacres infuses the discarded materials with new life and joy, one reaching far beyond its preordained purpose.
What are some sounds currently filling the studio?
For music, I default to a playlist called “Dancehall Essentials” which can be found on Apple Music Reggae. Dancehall has been a champion to my creative force, and to listen to it while I work creates a sacred space. On the occasions that I’m after some more conversational sounds, I turn to two podcasts; The Read hosted by Crissle and Kid Fury and Cerebral Women hosted by Phyllis Hollis.
*editor’s note: Kim was the guest on Cerebral Women in September 2024, that episode is linked here*
Favorite book of the moment?
Congo Inc.: Bismark’s Testament as written by In Koli Jean Bofane and translated by Marjolijn de Jager. The book focuses on colonialism, capitalism and globalization, amongst many other variables, in Africa. The story follows Isookanga, a Congolese Pygmy whose worldview is shaped by a violent online game about global resource control. Seeking wealth, he leaves his village for Kinshasa, where he teams up with warlords, street children, and a Chinese migrant. Through sharp humor and tragedy, the novel exposes the deep ecological, political, and economic failures haunting the Congo. It is profound.
Who is an inspiration in today’s contemporary art world for you?
It is hard to say just one person, I find inspiration within my community and that community is made up of creatives. However, I especially love connecting with Jeffrey Meris, Melissa Joseph, April Bey, and Robert Pruitt, they all have a joy when talking about art and the things they are thinking about in their practice/ in the world that I find refreshing and energizing. Then I think the next circle of inspiration would be my fellow female sculptors and women artists, especially guiding lights like Kennedy Yanko, Simone Leigh, and Kara Walker.
Is there a painting or sculpture which has stuck with you since childhood?
Niké the Samothrace, also called The Winged Victory of Samothrace which can be seen at the Louvre in Paris. It is a powerful piece in white marble showing the goddess of victory (Niké) descending from the bow of worship. If I had a superpower, outside of reading minds, it would be the ability to fly. I would want to have wings like the sculpture.
Is there a specific artwork that influences you today?
On view at the High Line on at 10th avenue and 30th street from June 5, 2019 through May 2025, Simone Leigh installed Brick House. Being in front of the work evoked such a power and a presence, it is an experience that has stayed with me since.
What is a memory that brings you joy?
My dog Winky (aka the Welcome Committee aka The Mayor aka The Studio Manager) is the greatest dog in the world. She is a three year old Frenchie mix who I got from my barber, an animal aficionado who was helping find her and her sister homes. I love how she can make a stranger’s day and bring a smile, so I’d say a memory which brings me joy are times like those.
Dinner party dream guests, up to 4 please!
The Mexican and American sculptor Elizabeth Catlett, the legendary former First Lady Michelle Obama, activist and author Angela Davis and prolific author Toni Morrison. would just sit there listening and absorbing the genius - fixing drinks, making breakfast, lunch, dinner, snacks, whatever they wanted.
What is the most recent internet rabbit hole you went down?
You know, since AI came onto the scene, internet searching has felt a lot less fun and less about discovery. Usually the rabbit holes I find myself in are related to the etymology because I’m a nerd. I love to dive deeper into specific histories, which is clear in my work as I create an in depth introduction to the individuals depicted.
Come 2026, Charles Moffett Gallery is looking forward to a presentation of Kim’s works in our New York gallery space. You’ll hear more from Kim as that gets closer. In the meantime if you have any questions about Kim, her practice or current ongoings you can find her on Instagram at @kim_bo915 or learn more on Charles Moffett’s various platforms.